
Image: Bollywood Hungama
India's unique 'A' rating for The Devil Wears Prada 2 raises eyebrows as the film is deemed family-friendly globally. Why does India stand alone?
GlipzoThe recent release of The Devil Wears Prada 2 in India has sparked significant debate, particularly surrounding its A rating from the Central Board of Film Certification (CBFC). While audiences flocked to theaters on May 1 and 2, many expected a film laden with adult themes, including nudity or violence, due to its explicit rating. However, those assumptions quickly dissipated as viewers exited the cinema, finding the film to be quite the opposite. In fact, most attendees agreed that it is a family-friendly film that could have easily received a U/A rating or even a U rating instead.
This unique situation has drawn attention not only from moviegoers but also from film critics and industry insiders. It raises an important question: Why did India, the only country to impose an A rating, arrive at this decision? The ratings awarded by censor boards worldwide offer a stark contrast to the Indian classification, emphasizing the film's accessibility in other regions.
A comprehensive look at how The Devil Wears Prada 2 was rated internationally reveals a striking discrepancy. According to reports from Bollywood Hungama, India stands alone in its classification, restricting audiences to those aged 18 and above. Meanwhile, countries such as Switzerland and Finland have deemed the film suitable for children as young as 6 and 7 years old, respectively. Here’s a breakdown of ratings from various countries:
In addition, numerous countries have classified it as appropriate for audiences aged 12 and above, including Brazil, Hungary, and the UK, while places like Argentina and the UAE require viewers to be 13 or accompanied by an adult. Notably, 11 countries, including France, Germany, and Italy, have placed no age restrictions on the film.
The surprising rating of The Devil Wears Prada 2 brings to mind a similar scenario involving La La Land, released in 2016. Despite its family-friendly content, La La Land also received an A rating in India, while it was accessible to younger audiences in other countries. This trend raises eyebrows about the CBFC's criteria when assigning ratings, especially since the global film industry is increasingly trying to attract family viewers back to theaters.
The question remains: What specific elements did the CBFC perceive as inappropriate that others did not? This inconsistency not only affects the film's reception but also potentially impacts box office revenues and audience attendance.
Despite the restrictive A rating, The Devil Wears Prada 2 is performing impressively at the Indian box office. Audiences are finding the film to be a delightful experience, devoid of the adult themes they initially anticipated. This response could indicate a growing disconnect between censor board ratings and audience expectations.
As families increasingly seek entertainment that they can enjoy together, the CBFC faces mounting pressure to justify its decisions. Many industry experts argue that such baffling rating choices might deter families from choosing to watch films in theaters, ultimately affecting the industry's recovery post-pandemic.
The classification of films is more than a bureaucratic exercise; it has profound implications for the film industry and its audience. The decision to award an A rating to The Devil Wears Prada 2 not only limits access for younger viewers but also raises questions about the CBFC's transparency and rationale.
In an age where many films worldwide are striving to be inclusive, India's restrictive approach appears increasingly out of step. This situation could lead to calls for reform and more consistent criteria for film ratings in India, which may reflect changing cultural norms and a desire for family-oriented content.
Moving forward, all eyes will be on the CBFC and its response to the backlash surrounding this rating. As audiences continue to enjoy The Devil Wears Prada 2, the film's success could serve as a catalyst for change, prompting a review of rating practices in India.
Industry stakeholders and moviegoers alike are hopeful that the certification body will reconsider its approach to ensure films are rated more in line with their content and the sentiments of the audience. As the film continues to draw crowds, the need for clarity from the CBFC has never been more pressing.
In conclusion, the unique situation surrounding The Devil Wears Prada 2 may very well lead to a broader conversation about film ratings in India, setting the stage for future changes that reflect both audience expectations and the evolving landscape of Indian cinema.

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