
Image: Indian Express
Discover why Bhooth Bangla struggles without Neeraj Vora, the key writer behind past Akshay Kumar hits, and what this means for Bollywood's future.
GlipzoBhooth Bangla, a highly anticipated film reuniting the famed actor-director duo of Akshay Kumar and Priyadarshan, has hit theaters. Yet, it seems this latest project falls short of the magic that their previous collaborations, particularly during the early 2000s, embodied. The absence of Neeraj Vora, the talented writer who played a crucial role in their earlier successes, is glaringly evident. Vora, who passed away in 2017, was instrumental in crafting the screenplays and dialogues that made their films resonate with audiences. His contributions shaped a unique comedic style that blended humor with horror, a formula that Bhooth Bangla attempts but fails to replicate.
The last significant project from this trio was Bhool Bhulaiyaa in 2007, a film that expertly combined comedy with horror elements. This film not only garnered commercial success but also birthed a franchise, now helmed by Anees Bazmee and featuring Kartik Aaryan. Given the thematic similarities—both films incorporate a mix of comedy and horror, feature an ensemble cast, and share similar settings—audiences couldn't help but draw parallels between Bhooth Bangla and Bhool Bhulaiyaa. Unfortunately, the recent release does not live up to the high bar set by its predecessor.
After experiencing Bhooth Bangla, it’s clear that the film struggles to capture the essence that made Bhool Bhulaiyaa a classic. While Bhool Bhulaiyaa is not my personal favorite, it undeniably had stronger comedic elements and more engaging character dynamics than Bhooth Bangla. The brilliance of Vidya Balan in her role as Manjulika added depth to the narrative, a quality sorely missing in the latest film.
Bhooth Bangla takes a different approach, delving into the mytho-horror genre rather than balancing psychological horror with comedy like Bhool Bhulaiyaa did. While the film attempts to explore mythological themes, it often falls flat. Key plot points are muddled with excessive jargon, leaving audiences confused rather than intrigued. The attempt at creating suspense is undercut by inadequate character development and unresolved storylines, which leave viewers feeling disconnected.
Neeraj Vora’s absence is particularly felt in the film’s execution. He was not just a writer; he was the glue that held the vibrant elements of Priyadarshan’s vision together. His unique ability to adapt Malayalam scripts for a Hindi audience while infusing them with relatable humor was unmatched. Vora’s knack for crafting dialogues that resonate with the audience has left a void in Bhooth Bangla. The film’s humor lacks the sharpness that Vora's touch typically provided, failing to elicit the laughter that was a hallmark of their previous collaborations.
In many of Priyadarshan's successful films, including Hera Pheri and Gol Maal, Vora’s influence is palpable. His dialogue writing brought life to the characters, giving them unique quirks and memorable lines. The essence of their collaboration was a harmonious blend where Akshay Kumar brought the energy, Priyadarshan provided direction, and Vora crafted the words that resonated with the audience. Without him, Bhooth Bangla feels like a disjointed effort lacking the synchronization that once defined their work.
In an era where the Hindi film industry is equipped with cutting-edge technology to elevate storytelling, Bhooth Bangla misses the mark. Despite the inclusion of a thrilling chase sequence featuring Akshay Kumar, which showcases some technical finesse, the film ultimately flounders without a solid narrative foundation. The reliance on visual spectacle cannot compensate for a weak script.
Moreover, the film’s attempt to engage with supernatural themes feels outdated. The mythological elements that could have provided a rich backdrop instead come across as superficial. The film oscillates between presenting these myths and failing to develop them into compelling story arcs. Viewers are left with a sense of frustration as they are bombarded with half-baked ideas that lack coherence.
Priyadarshan and Vora's partnership is a testament to how critical collaboration is in filmmaking. Their journey began when Priyadarshan recognized Vora’s talent in Rangeela (1993), leading to a fruitful relationship that would shape the Indian comedy landscape for years. Vora's ability to infuse humor into serious narratives and his understanding of audience dynamics made him a cherished collaborator. His work in Baadshah (1999) further solidified his reputation, showcasing his ability to craft engaging dialogue that resonated with audiences.
As we reflect on their impactful collaborations, it becomes evident that Bhooth Bangla's shortcomings highlight the importance of strong writing in cinema. The film serves as a reminder that even the most talented actors and directors cannot succeed without a well-crafted script that engages and entertains.
Looking ahead, audiences are left wondering what the future holds for the Bhooth Bangla franchise and the broader landscape of horror-comedy in Bollywood. Will the industry recognize the need for skilled writers like Neeraj Vora to elevate their projects? The potential for innovation is vast, especially with advancements in technology. However, the success of future films will largely depend on the ability to blend these technological advancements with compelling storytelling.
As fans of the genre, we can only hope that filmmakers will learn from the missteps of Bhooth Bangla and strive to create films that honor the legacy of great collaborations. The lessons learned from this experience might pave the way for a new generation of filmmakers who understand the pivotal role that strong writing plays in creating memorable cinematic experiences.

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