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Remo D’Souza opens up about his early struggles and rejection in Bollywood, revealing how persistence led to his success. Read more about his inspiring journey.
GlipzoRemo D’Souza, a name synonymous with dance and choreography in Bollywood, recently opened up about his challenging beginnings alongside his wife, Lizelle D’Souza. In a heartfelt conversation with Curly Tales, they reflected on their early days in the industry, where they faced significant obstacles before achieving their dreams.
During this candid discussion, Remo and Lizelle recounted their first encounter and the contrasting realities of their careers at the time. Remo, a background dancer, was earning a mere Rs 750 a day, while Lizelle, a model, was raking in Rs 4,500 for her work. This disparity highlighted the struggles faced by many aspiring artists in the entertainment industry. "I was a background dancer, and she was a model used for beauty shots in songs. We would be dancing in the heat and getting Rs 750, while they were paid Rs 4,500. They had tents, fans, and separate food. For outdoor shoots, we travelled by bus, while they flew," Remo reminisced.
The couple's first interaction was not exactly romantic. Lizelle shared an incident where she, as a model, would often get scolded by Ahmed Khan, the choreographer they both worked with. "He would say, ‘She doesn’t do anything.’ His punishment for me was to come and perform a solo, even though I didn’t know how to dance. I would refuse, and he would send me out of the room,” Lizelle recalled.
However, things changed during an outdoor shoot when they shared a bus ride. "During one outdoor schedule, we were all travelling together in a bus. He asked me to give him a head massage, and I did. That’s where our love story began,” Lizelle said, emphasizing the pivotal moment that sparked their romance.
Remo didn't shy away from discussing the challenges he faced while trying to establish himself in the industry. He specifically recalled an audition for the film Rangeela that left a lasting impact on him. "We had a group called Super Brats — five boys. When Ahmed got Rangeela, he said he didn’t want Bollywood dancers, he wanted fresh talent. I was among those rejected," he explained, reflecting on his feelings of disappointment stemming from being judged based on his complexion. "I had just come from Jamnagar, and I was very dark at that time. I think I was rejected because of my complexion.”
Despite this setback, Remo's friends rallied around him, urging him to try again. "My four friends took me back to Ahmed and requested him to take me, but he said, ‘Next time.’ I was very upset. Then I went to his assistant and requested her to watch my dance once. I said, ‘Just watch me once, then you can reject me.’”
This moment proved crucial for Remo's career. After impressing Ahmed's assistant, he was given a chance to showcase his talent. "She watched me, then took me to a small office and called Ahmed. She said, ‘You need 50 boys — 49 are yours, one is mine.’ She vouched for me and got me in,” Remo recalled, marking a significant turning point in his journey.
At the time, Remo was earning a comfortable income as Ahmed's assistant, with a daily wage of Rs 3,000, amounting to around Rs 1.5 lakh a month. He was hesitant to leave this stability behind, but an unexpected meeting with filmmaker Anubhav Sinha changed everything. "I was at a T-Series office with Ahmed when we met Anubhav Sinha. He saw me and asked, ‘You’re Ahmed’s assistant, right?’ I said yes. He told Bimal to speak to me. Bimal took me along and asked if I would do choreography. He said, ‘I can’t guarantee money, but I can guarantee work. You’ll get a lot of work, but I can’t promise high pay.’ I said I just want to work,” Remo detailed.
Embracing this opportunity was a bold move for Remo, especially considering his previous financial comfort. "It was the biggest risk at that time — someone earning Rs 3,000 a day taking such a leap. My first song was for Sonu Nigam’s Deewana, and it became a big hit. After that, we were doing four songs a month,” he reflected, showcasing how taking risks can lead to unforeseen success.
The success of his first project opened the floodgates for numerous opportunities in choreography, eventually solidifying his status in the industry. As he put it, "From there, Anubhav Sinha became my mentor and I quickly climbed the ladder of success.”
Remo D’Souza's story illustrates the resilience required in the entertainment industry. It emphasizes that success is often preceded by struggles and that persistence can pay off in surprising ways. For many aspiring artists, his journey serves as a beacon of hope, proving that dedication and hard work can lead to achieving one's dreams, despite initial rejections and hardships.
As we look to the future, Remo’s experience underscores the ongoing challenges many face in the entertainment industry and the importance of believing in oneself. With new projects on the horizon, it will be intriguing to see how his career continues to evolve and inspire others. What will be his next big project? How will he use his platform to uplift emerging talent? These are questions to watch as Remo D’Souza’s journey continues.

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